Switching Channels: Organization and Change in TV Broadcasting Review

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Switching Channels: Organization and Change in TV Broadcasting ReviewProf. Caves does an excellent job in this book, ellucidating many obscure aspects of a very important industry.
Sadly, although there are many books dealing with the political aspects of the media (including broadcasting), it's very difficult to find some reference about the industrial organizations of this industry. Only for that the book is already very welcome.
The more math-orientated readers can find the book lacking more mathematical rigour. Indeed, there are no equations and formulas in the text, what is mainly descriptive. Still I don't see this as a fault, since Prof. Caves excels in the art of making insightful observations about the industry even if he doesn't use rigourous mathematical proofs. I also suspect that this industry is plagued by a shortness of easy access to good data.
I highly recommend it.Switching Channels: Organization and Change in TV Broadcasting Overview
Media critics invariably disparage the quality of programming produced by the U.S. television industry. But why the industry produces what it does is a question largely unasked. It is this question, at the crux of American popular culture, that Switching Channels explores.

In the past twenty-five years, the expansion of cable and satellite systems has transformed television. Richard Caves examines the economics of this phenomenon--and the nature and logic of the broadcast networks' response to the incursion of cable TV, especially the shift to inexpensive unscripted game and "reality" shows and "news" magazines. An explanation of these changes, Caves argues, requires an understanding of two very different sectors: the "creative industry," which produces programs; and the commercial channels, which bring them to viewers. His book shows how distributors' judgment of profitability determines the quality and character of the programs the creative industry produces. This determination, writes Caves, depends on the number and types of viewers that various programs can attract and advertisers' willingness to pay for their attention, as well as the organization of the networks that package programs, the distributors that transmit them, and the deals these parties strike with one another.


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