High-Fidelity Multichannel Audio Coding (Second Edition) (EURASIP Book Series on Signal Processing & Communications) (Pt. 1) Review

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High-Fidelity Multichannel Audio Coding (Second Edition) (EURASIP Book Series on Signal Processing & Communications) (Pt. 1) ReviewI borrowed this book along with Audio Signal Processing and Coding.
This one seems better in MPEGx or AAC part, for other general theory I feel the other is better. This book doesn't discuss MDCT or other filter banks that would be added in new ed - I don't know whether it is in 2nd ed. Now Amazon's content list of books are unacceptable becasue incomplete. I'd like to call these good books are green books and others (90%) are gabages.
It also has very good introduction on other hot research spots like VQ and KLT.
My suggestion is you buy both. I'd rate it 3.5. The price is too high becasue of the paper I guess.High-Fidelity Multichannel Audio Coding (Second Edition) (EURASIP Book Series on Signal Processing & Communications) (Pt. 1) OverviewThis invaluable monograph addresses the specific needs of audio-engineering students and researchers who are either learning about the topic or using it as a reference book on multichannel audio compression. This book covers a wide range of knowledge on perceptual audio coding, from basic digital signal processing and data compression techniques to advanced audio coding standards and innovate coding tools. It is the only book available on the market that solely focuses on the principles of high-quality audio codec design for multichannel sound sources.This book includes three parts. The first part covers the basic topics on audio compression, such as quantization, entropy coding, psychoacoustic model, and sound quality assessment. The second part of the book highlights the current most prevalent low-bit-rate high-performance audio coding standards—MPEG-4 audio. More space is given to the audio standards that are capable of supporting multichannel signals, that is, MPEG advance audio coding (AAC), including the original MPEG-2 AAC technology, additional MPEG-4 toolsets, and the most recent aacPlus standard. The third part of this book introduces several innovate multichannel audio coding tools, which have been demonstrated to further improve the coding performance and expand the available functionalities of MPEG AAC, and is more suitable for graduate students and researchers in the advanced level.

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