Logic Pro 9: Audio and Music Production Review

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Logic Pro 9: Audio and Music Production ReviewMost of us who use DAW (Digital Audio Workstation) programs have a standard program that we've used for years. On occasion, we face a project which uses another program--one that's unfamiliar. Typically it's a rush, so we bash our way through, learning just enough to get the job done. That was my initial experience with Logic. With any program there are many other things that we don't know about, or that we don't know how to find. Once upon a time, you received a hard-copy manual that could be browsed. Now, as with many other programs, there's only an online manual. It's not conducive to browsing, and it can't be dog-eared and marked up. That's where a book like this comes in.
The authors give a pretty good 5000' view of the product, and I've learned about a number of things in Logic. I'll make some changes in my workflow as a result. As indicated by the title, the primary focus is audio and music production. As a result, discussions of features like low-level audio editing are a little cursory. The description of the many built-in synthesizers is very good, and I'm looking forward to rolling up my sleeves with some of them. After all the synthesis and mixing, there's an overview of the mysteries of mastering and working with video.
I have some general criticisms, along with a couple of specific complaints. In the discussion of mastering, there are many suggestions to listen to commercial releases. No mention of jazz, classical, spoken-word, etc. Most mixers and many mastering engineers absolutely despise the way many commercial releases are mastered. Following this bad practice is hardly to be recommended. There is also a brief description of mixing in surround. There is no discussion of the role of bass-management and the appropriate way to use the LFE channel. First-time surround mixers almost inevitably misunderstand this, and usually have to do their mixes over. This book could help and it doesn't
More generally, I think the organization could be improved. I'd prefer to see a complete description of the framework of a feature (mixing architecture, for example), followed by extensions such as plugins. It's a little more mixed-up in this book. But most importantly, I'd like to see a reference section--a menu-by-menu, feature-by-feature appendix. With a book like this, I can remember seeing a description of something--but I can't remember where it was. A reference section would be most appreciated.
But all in all it's a helpful book and provides a good view into a very powerful chunk of software.Logic Pro 9: Audio and Music Production Overview
From initial track laying through to mixing, sound design, and mastering Mark Cousins and Russ Hepworth- Sawyer bring you Logic Pro 9. By Highlighting the relevant parts of each application they take you through every step of the music creation and production process giving you all the tips, tutorials and tricks that pros use to create perfect recordings.

The book has full color screen shots illustrating the tools, functions and the new look of Logic Pro 9, and the companion website has audio samples and loops.

Logic Pro 9 covers more than just the software it will help you make the most out of every recording session, and will Illuminate and inspire you creative and sonic endeavors!

KEY COMMANDS- how to use them practically to create a professional sessionPRODUCTION FAQs- main text, box outs, instructional 'walkthroughs' and 'knowledge bases' to help access information clearly answers you need for common production specific problemsMETHODS- pro methods for successful recording and editing, including information on additional equipment and running smooth production sessionsWEBSITE- audio examples, samples (Apple loops), logic songs, sampler instruments and instrument patches http://www.logicprobook.com/


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